On his latest release "Partials" he clearly demonstrates references to abstract rhythm constructs as they were cited by greats like Autechre in the Warp era . However, he neither tries to make himself comfortable in homage nor in practising some kind of beatmashing-competition but adds a very personal coloring. Which, in its warmth, happily stands out from the cold, mathematical IDM sound. The warm analog origin of the modular system responsible for most of the synth sequences is clearly audible and the background noise that accompanies us throughout the whole album sets itself like a little piece of meadow under the tracks so that the organic melodies may writhe on it. The beat structures also seem to hover between complex patterns and a wide-breathing 4/4 bass drum.
So yet again another happy accident to find such beautiful electronic music from the U.S. of A. From this side of the Atlantic's perspective I can just say it's nice that you're no longer necessarily get overpowered by EDM-Metal-Dubstep, but can also lift the actual treasures (which have always been there!). At least on platforms like Bandcamp and Co.
This time we have a special show lined up: a guest mix from Berlin’s Axiom – cofounder of Crazy Language netlabel and event organiser in Berlin. Most recently he’s been organising events with the Skizze collective focused on experimental electronic music for the dance floor. This epic four hour set is a sound desk recording from the Freqs of Nature Festival from last July, 2017 and features an expertly-curated pick of IDM, glitch and experimental electronica. Lay back and let Axiom take you on a journey guided by some kind of crazy language.
"We are part of the universe and music is the code..."
This quote from Vangelis adorns the inlay of the tape compilation from Berlin-based tape label Per Musica Ad Astra. After a couple of vinyl releases and regular broadcasts on Intergalactic.FM they took the opportunity on their first compilation to run free on their obvious fondness for so-called Kosmische Musik . Restrained driving beats nestle in soaring pad sounds on their journey trough space to maintain a very homogeneous travel speed over the course to all eight representative planets (or artists as some may say).
Well done Captain!
And not to forget, our man Vlight Attendend Vertical67 was also part of the crew.
Yes! It‘s the first show in 2018. Yes! We just left behind a pretty bad year for all of us. And yes, we don‘t care at all. We rather intent to go on serving you rock solid tunes. This time with a little Bandcamp round up.
For this purpose we‘d like to take a closer ear to MSH3005 Records. A little Underground Techno, Ambient and IDM Label from Portland, Oregon. During the last year they managed to bring up a pretty impressive little catalouge of Tape and CD Releases. And after we just recently reviewed one of their EP‘s on our Website, they gave us the opportunity to check out their output from last year.
Check out MSH3005 Records at https://msh3005.bandcamp.com
Not Enough RAM – joker doctor 0o
Confreg – Serious trip
Tape Squize – Johnipe
Confreg – dust on SM-SRE-700-K9
Tape Squize – Citsilaer (LN-30 mix)
IPv7 – IPv7 (mother! techno is awesome mix)
Metadreamer – Not Afraid (lyrebird mix)
Z0xxTer – jojojojojojojojojojojojo
Not Enough RAM – 0ct0ber rest
Metadreamer – Ocean Trip 5 (blue sea mix)
Titch Thomas – HUMANITY
RX-101 – M.A.S.S.
Beathaven – Electro Sonata No.4 – Croyde
th’idiot – Ant Erg (Luke’s Anger Remix)
Jeremy Greenspan – Tin Beat
Solid Blake – Mario
Fleck E.S.C – Boredom Routine Flagship
Earl Grey – Dorsiflextion
Guavid – Physycaltb3
daas – Fang
HKE – Inertia Circus
Greystar – d27 Kinetic Radiance [exc3]
From Karlshorst to Marzahn gentrified Banan´'!
1x1 recorded in Luca's Studio (Karlshorst).
Recorded and mixed by Luca Andriola .
Ufirst recorded in Fz16-112 by Max .
Luca : Synth , Guitar ,Drums , Voice
Max : Synth , Drums , Bass
When I first became aware of Patrick Vian's album
Bruits Et Temps Analogues by it's release on Staubgold Records, I was not aware that this was a 1976 reissue because Vian's expeditions to the soundscapes of jazz, fusion, electronica are so timeless and cross-genre.
In each of his titles, he builds up picturesque arrangements with the help of analog synthesizers, field recordings, percussion and all sorts of exotic instruments which never quite engage in classical song or instrumental structures, but always wavering towards an unique idea. Here and there it gets quite funky and you wait for the drums to go on the one, but Vian refuses the easy way, creating unique timeless sound paintings.
So, if you haven't been travelling in a while, that's the perfect Album to do so.